EVD Offices – Shanghai

A carefully executed space to convey the talent of EVD, a sophisticated and open design that draws upon classical languages close to the Shanghai-based architecture practice.

  • Client EVD,
  • Year 2019
  • Location Shanghai, China,
  • Industry Architecture Firm,
  • EVD used light, shapes, and varying levels to set the tone for their own offices in Shanghai, China.

    Located in Shanghai, China, EVD office is conceived based on two design threads that derive from site restrictions. One extends from the entrance to the interior, while the other is folded out vertically in the 5-meter-high space. Due to site limitations, the position of the foyer determines the location of the entrance. In addition, the structural framework and the five orderly window openings define the placement of the wall.

    The space has a rectangular plane. The designers created a U-shaped area that integrates with one long side of the space and the five large windows, which allow natural light to filter in and diffuse freely. The entrance protrudes towards the foyer, due to the consideration of fire control regulations. Its position and width for evacuation bring new opportunities for the organization of spatial pattern and form. The overall spatial design starts here.

    The entrance design is presented at three levels progressively — the field between the eye and the door, the interface constituted by the door and wall, and the space behind it. The door features combination of geometrical glass, which reveals the inside scenes, enriches the spatial layering and forms a contrast with the closed walls beside it.

    The spatial form of the office is shaped based on classical languages. It absorbs arched elements from Antonello da Messina’s masterpiece “St. Jerome in His Study”. In the painting, Messina depicted an “eternal” space that combines openness and privacy as well as fluidity and serenity by the use of arches, which can be seen on architectural and interior structures, landscape and furniture. Based on three-dimensional shapes, he turned the study into a piece of large “furniture” — the components of which act as flooring, roof, walls and columns.

    In the drawing “Architecture Comes from the Making of a Room”, Louis Kahn depicted a scene where people chat under a dome and light freely filters in. He emphasized the importance of natural light and geometric shapes.

    For this project, the design team utilized classical architectural elements with modern approaches, to add a sense of eternity to the space. Besides, sphere — the most beautiful solid figure is brought in, which enhances the spatial aesthetic while enriching users’ experiences at spiritual level.

    A single horizontal circulation may cause boring experiences, while vertical motion and the generated affiliated areas (including hidden corners or platforms) can bring more imagination and create unique spatial memory.

    The users can experience scenes at different heights and varying details along the circulation, which guides them to explore the space and find the unexpected.

    The designers took “garden” as the imagery of spatial scenes. The passages, carpets and adornments within the space are respectively the metaphor of paths, stones and plants. The design team elevated the area outside the door opening of the “garden” to create natural height difference of sight line and to endow the space with fun and a sense of mystery.

    Design: EVD
    Design Team: Yang Bing, Hao Liyun
    Photography: Super Yingxiang